637
9.0
HD
日落大道
9.0
上映时间:2024年11月10日
主演:威廉·霍尔登,葛洛丽亚·斯旺森,埃里克·冯·施特罗海姆,南希·奥尔森,弗雷德·克拉克,劳埃德·高夫,杰克·韦伯,富兰克林·法纳姆,拉里·J·布莱克,Charles,Dayton,塞西尔·B·戴米尔,赫达·霍珀,巴斯特·基顿,安娜·Q·尼尔松,H.B.沃纳,雷·伊万斯,杰伊·利文斯顿,Fred,Aldrich,格特鲁德·阿斯特,安妮·鲍切恩斯,Edward,Biby,丹尼·鲍沙其,Ken,Christy,露丝·克利福德,John,Cortay,Archie,R.,Dalzell,艾迪·朱,茱莉亚·法耶,Al
简介:过气演员诺玛(葛洛丽亚·斯旺森 Gloria Swanson 饰)已经将近50岁,曾经的风华绝代正在她居住的荒废豪宅里慢慢凋谢,身边只有好友马克思(埃里克·施特罗海姆Erich von Stroheim)伺奉。她没放弃重燃光辉的梦想,《莎乐美》的剧本正待编写,而逃避债务逃至此地的没落编剧乔(威廉·霍尔登 William Holden饰),正是这项事业的最佳候选。诺玛收留他住下,给他提供舒适的环境写作,并慢慢的倾心于他。但是,乔并不能接受这个青春已逝的妇人。他拒绝了她,并转过身和另一个美丽的女子谋划新的剧本,他们相爱,打得火热。  诺玛得知了乔的“背叛”,她卑微地哀求他,却动摇不了他渐行渐远的心,诺玛终于举起枪对准正要离开的乔。
637
HD
日落大道
主演:威廉·霍尔登,葛洛丽亚·斯旺森,埃里克·冯·施特罗海姆,南希·奥尔森,弗雷德·克拉克,劳埃德·高夫,杰克·韦伯,富兰克林·法纳姆,拉里·J·布莱克,Charles,Dayton,塞西尔·B·戴米尔,赫达·霍珀,巴斯特·基顿,安娜·Q·尼尔松,H.B.沃纳,雷·伊万斯,杰伊·利文斯顿,Fred,Aldrich,格特鲁德·阿斯特,安妮·鲍切恩斯,Edward,Biby,丹尼·鲍沙其,Ken,Christy,露丝·克利福德,John,Cortay,Archie,R.,Dalzell,艾迪·朱,茱莉亚·法耶,Al
618
6.0
HD
人质2013肖恩·法瑞斯版
6.0
上映时间:2023年01月09日
主演:肖恩·法瑞斯,杰西卡·斯佐尔,妮基·瑞德,福里斯特·惠特克,马尔顿·索克斯,雷·利奥塔,乔纳森·本内特,史蒂芬·朗,迈克尔·切克利斯,科曼,黛博拉·特维斯,马克思·比斯雷,乔丹·贝尔菲,加布里埃尔·雅雷,罗纳德·格特曼
简介:

  在一个平静的夜晚,面目狰狞的德里克(麦克·切克里斯 Michael Chiklis 饰)带领两名跟班,手持枪械闯入查理(史蒂芬·朗 Stephen Lang 饰)所经营的咖啡餐馆。此时这里三三两两坐着几名正享受夜晚宁静时光的客人,突如其来的变故让他们惶恐异常。求财心切的 匪徒得知咖啡馆的时间锁保险柜必须等到午夜12点才能打开,虽然气急败坏却也只能勉强等待。就在此时,巡警威尔(福里斯特·惠特克 Forest Whitaker 饰)走入餐馆。这名经验丰富的警察敏锐发觉店内的诡异气氛,只是威尔的心中似乎也藏着什么秘密。
  事后从昏迷中苏醒的一名人质那里,断断续续拼凑出现场发生的有些矛盾吊诡一切……

618
HD
人质2013肖恩·法瑞斯版
主演:肖恩·法瑞斯,杰西卡·斯佐尔,妮基·瑞德,福里斯特·惠特克,马尔顿·索克斯,雷·利奥塔,乔纳森·本内特,史蒂芬·朗,迈克尔·切克利斯,科曼,黛博拉·特维斯,马克思·比斯雷,乔丹·贝尔菲,加布里埃尔·雅雷,罗纳德·格特曼
618
6.0
更新HD中字
荣耀六十年1938
6.0
上映时间:2024年07月06日
主演:Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla
简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
618
更新HD中字
荣耀六十年1938
主演:Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla
498
8.0
HD中字
人质
8.0
上映时间:2024年08月04日
主演:瑞安·雷诺兹,斯科特·斯比德曼,罗莎里奥·道森,米瑞·伊诺丝,凯文·杜兰,艾莉克希娅·法斯特,佩顿·肯迪尼,布鲁斯·格林伍德,布兰登·盖尔,亚伦·普尔,贾森·布利克,艾丹·什普利,Ian,Matthews,克里斯汀·霍恩,威廉·麦克唐纳
简介:马修(瑞安·雷诺兹 Ryan Reynolds 饰)和蒂娜(米瑞·伊诺丝 Mireille Enos 饰)是一对结婚多年的夫妻,两人共同养育了一个可爱的女儿卡桑德拉(佩顿·甘乃迪 Peyton Kennedy 饰),一家三口生活在幸福和美满之中。某天,马修开着载着卡桑德拉回家,这本是平凡无奇的一天,却成为了马修一家人永远的噩梦。马修将卡桑德拉留在车里自己去买晚饭,当他返回车内时发现,卡桑德拉不见了踪迹。  卡桑德拉失踪了,马修的家庭和婚姻也走到了濒临破碎的边缘。蒂娜一直无法原谅马修的疏忽大意,马修亦日日生活在自责之中无法自拔。一晃眼多年过去,当曾经的伤痛渐渐被时间掩盖之时,一张卡桑德拉的照片出现在了网络上。
498
HD中字
人质
主演:瑞安·雷诺兹,斯科特·斯比德曼,罗莎里奥·道森,米瑞·伊诺丝,凯文·杜兰,艾莉克希娅·法斯特,佩顿·肯迪尼,布鲁斯·格林伍德,布兰登·盖尔,亚伦·普尔,贾森·布利克,艾丹·什普利,Ian,Matthews,克里斯汀·霍恩,威廉·麦克唐纳
496
3.0
HD
人质2014
3.0
上映时间:2024年11月10日
主演:瑞安·雷诺兹,斯科特·斯比德曼,罗莎里奥·道森,米瑞·伊诺丝,凯文·杜兰,艾莉克希娅·法斯特,佩顿·肯迪尼,布鲁斯·格林伍德,布兰登·盖尔,亚伦·普尔,贾森·布利克,艾丹·什普利,Ian Matthews ,克里斯汀·霍恩,威廉·麦克唐纳
简介:

  马修(瑞安·雷诺兹 Ryan Reynolds 饰)和蒂娜(米瑞·伊诺丝 Mireille Enos 饰)是一对结婚多年的夫妻,两人共同养育了一个可爱的女儿卡桑德拉(佩顿·甘乃迪 Peyton Kennedy 饰),一家三口生活在幸福和美满之中。某天,马修开着载着卡桑德拉回家,这本是平凡无奇的一天,却成为了马修一家人永远的噩梦。马修将卡桑德拉留在车里自己去买晚饭,当他返回车内时发现,卡桑德拉不见了踪迹。
  卡桑德拉失踪了,马修的家庭和婚姻也走到了濒临破碎的边缘。蒂娜一直无法原谅马修的疏忽大意,马修亦日日生活在自责之中无法自拔。一晃眼多年过去,当曾经的伤痛渐渐被时间掩盖之时,一张卡桑德拉的照片出现在了网络上。

496
HD
人质2014
主演:瑞安·雷诺兹,斯科特·斯比德曼,罗莎里奥·道森,米瑞·伊诺丝,凯文·杜兰,艾莉克希娅·法斯特,佩顿·肯迪尼,布鲁斯·格林伍德,布兰登·盖尔,亚伦·普尔,贾森·布利克,艾丹·什普利,Ian Matthews ,克里斯汀·霍恩,威廉·麦克唐纳
487
6.0
HD中字
荣耀六十年
6.0
上映时间:2024年08月04日
主演:Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla
简介:

  Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
  The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
  Roger Philip Mellor

487
HD中字
荣耀六十年
主演:Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla