简介：

　　根据真人经历改编，讲述16岁的杰米想成为一位变装皇后，却因此备受霸凌和歧视，在母亲和好友的支持下，他终于勇敢地去实现梦想。

简介：影片改编自格拉西克·吉本《苏格兰的书》三部曲中的第一本。男主角英勇的投入战斗并死于第一次世界大战，女主人公克里斯受过教育却被土地束缚，飞快的从女孩变成妻子又变成遗孀，让人振奋又心碎。它的语言音乐般美妙、抒情，就像它描述的这片土地一样的美丽。跟随着他们我们经历了一生，目睹了农民生活以及古老的苏格兰本身。

简介：

　　为了追求真正意义上的自由，两对男女选择一同上路，开始了将近两年的旅途。有一天，黛比接到母亲的电话，得知父亲病危，于是四人便原路回到了英格兰。每个人都被死亡将至的阴霾笼罩，各自对人生，对死亡，也产生了不同的认知。

简介：

　　想成为亿万富翁是每个人的梦想，但是人人都知道这不是一件容易的事，想知道他们是怎样成为亿万富翁的吗？想知道他们获得财富背后的故事吗？本纪录片将带你一探究竟、同时为你奉上一部“财富秘笈”，让你离你的发财梦更进一步！

简介：西德尼·扬（西蒙·佩吉 Simon Pegg 饰）是个胆大包天、离经叛道的英国年轻人，他毕业于名校，出身高知家庭，却偏爱旁门左道——创办了一本名为“后现代评论”的杂志专门解构和讽刺明星名流，很不受人家待见。杂志濒临倒闭的当口，扬意外接到来自纽约知名八卦杂志的电话，请他过去上班。进入新坏境的扬依然坚持自己的原则，他不肯根据上流人士的意思改稿，和老板怒吼“新闻自由”，不肯去拍新锐导演马屁……不断挑战潜规则难免让他和周围的一切格格不入。职场磕磕绊绊中，扬和女同事阿里森（克斯汀·邓斯特 Kirsten Dunst 饰）产生感情，又受到新人女明星苏菲（梅根·福克斯 Megan Fox 饰）青睐。扬慢慢学会顺应规则，似乎融入这个上流社会，但内心仍有个真正的自己从未停止呐喊……　　本片根据英国作家托比·扬（Toby Young）2001年出版的同名回忆录改编。

简介：

　　Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
　　The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
　　Roger Philip Mellor

简介：英国男孩保罗从向来忽视他的家庭出走，老天却安排了他与一个生活在相似家庭环境下的法国女孩米谢勒成为了朋友。他们在法国罗讷河三角洲的一个美丽的地中海海滨小城卡梅格象一对恋人一样组成了一个家庭，过着田园诗般的生活，后来还生了孩子，并担负起成年人的责任……

简介：An aspiring poet in 1950s New York has his ordered world shaken when he embarks on a week-long retreat to save his hell raising hero, Dylan Thomas.

简介：影片根据小说改编。描写英国现代姑娘安妮出于对姨祖母奥莉维亚在印度生活往事的好奇，到印度进行实地寻访的经历，把两个不同时代各自独立成章而相互关关联的故事交织在一起。影片以交替的闪回镜头，分别叙述了奥莉维亚在20世纪20年代在殖民地印度的经历，成为印度王子的情妇的故事；安妮踏看姨祖母的足迹来到印度后，也和—位英俊的印度人英德产生感情。

简介：

　　电影改编自真实历史事件。故事发生在十六世纪，国王亨利八世（罗伯特·肖 Robert Shaw 饰）爱上了名叫安妮（瓦妮莎·雷德格瑞夫 Vanessa Redgrave 饰）的女子，他想同王后离婚，却又碍于世俗道德的制约。亨利八世找到了大法官托马斯（保罗·斯科菲尔德 Paul Scofield 饰），他要求托马斯在离婚法令上签字，企图以托马斯的德高望重来减轻自己的负罪。
　　托马斯一生光明磊落，国王的无理要求令极富正义感的他十分困扰，因为他明白，拒绝国王的人注定不会有好下场。在内心良知的引导下，托马斯贯彻了自己的原则，他拒绝签字并辞去了官职，可即便如此，正直的他也最终未能逃脱死于非命的厄运。

简介：

影片在现今和1939年二战前夕的英格兰之间穿梭，展现了传统的凯耶斯大家族的的命运。大女儿安妮是一名有前途的女演员，她爱上了名叫劳伦斯的外国军官，然而她完美的生活在偶然发现几盘有关反英国纵容纳粹政策的秘密录音带之后急转直下。调查录音带来源的过程中，阴暗的秘密被触及了，造成一位好朋友的死亡。战争爆发后，追寻真相的安妮逃到伦敦为自己的猜疑寻找证据，但直到她被抓住并且囚禁，她才明白自己被背叛得究竟有多深。　　mtime.com

简介：

2015年12月，蒂姆·皮克少校将成为英国在国际空间站生活的第一人。通过对他训练的独家采访，《地平线》将寻找成为一名宇航员所需的条件。工程师、物理学家和技工将设计并创建把蒂姆送入太空的技术，医生和心理学家将在蒂姆进入太空后对其身体状况进行监测，本片跟踪拍摄了蒂姆与这些人的会晤。以蒂姆本人的视频日记引用为特点，本片对宇航员在发射前的生活和在空间站上的生活进行了独特描述。

简介：一个值得信赖的司机必须和他死去的老板的穆斯林情妇打交道，处理善后问题，却不想卷入了一场纷争。

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor