纳人说

爆笑奇葩挑战，看了就停不下来了

Capturing the experiences of Afghanistan women's under the Taliban since they took control of Kabul.

　　拳赛之日展示了处在生涯巅峰的爱尔兰裔中量级拳手Walter Cartier与中量级鲍比詹姆斯对决的那一天（1950年4月17日）。这部电影以关于拳击历史的短暂旁白开场，然后拍摄Cartier（与他的兄弟Vincent）的一天，这时他正在为晚上10点的比赛做准备。他先在格林威治区西12街的公寓里吃了早餐，然后前去参加了早弥撒，并在他最喜爱的餐馆享用午餐。在下午4点，他开始准备比赛。晚上8点，他在新泽西州纽瓦克的劳雷尔花园的更衣室等待战斗开始。最后，我们看到拳赛的过程，Cartier在短时间内胜出。
　　12分钟版与16分钟版的区别是，后者有一段关于拳击历史的开场旁白（4分钟），由资深新闻播音员Douglas Edwards用一种严肃的，带着些许黑色幽默的语调念出。
　　Day Of The Fight" tells of a day in the life of a middleweight Irish boxer named Walter Cartier, particularly the day of his bout with black middleweight Bobby James. This 16-minute short opens with a short (about 4 minutes) study of boxing's history, narrated by veteran newscaster Douglas Edwards in a no-nonsense, noir tone of voice. After this, we follow Walter (and his twin brother Vincent) through his day as he prepares for his 10:00 P.M. bout. After eating breakfast, going to early mass and eating lunch, he starts arranging his things for the fight at 4:00 P.M. By 8:00, he is waiting in his dressing room, where he undergoes a mental transformation, turning into the fighting machine the crowd clamors for. At 10:00, he faces James, and soon, he comes out victorious in a short match which was filmed live on April 17th, 1950.

　　In the radioactive Dead Zone surrounding Chernobyl’s Reactor No. 4, a defiant community of women scratches out an existence on some of the most toxic land on Earth. They share this hauntingly beautiful but lethal landscape with an assortment of interlopers—scientists, soldiers, and even ‘stalkers’—young thrill-seekers who sneak in to pursue post-apocalyptic video game-inspired fantasies. Why the film’s central characters, Hanna Zavorotyna, Maria Shovkuta, and Valentyna Ivanivna, chose to return after the disaster, defying the authorities and endangering their health, is a remarkable tale about the pull of home, the healing power of shaping one’s destiny and the subjective nature of risk.

　　《今晚你要去哪里》节目以情感为“主定位”，关注当代热点社会话题、职场话题、家庭话题等，以微记录微纪实的方式，走进不同人物的真实生活。通过侧拍对聊的方式，激发人物心底的情感。拍摄暂定晚上，夜晚是人最容易感性的时间，可以引发拍摄主角谈论更多真实的事件，同时也可以带动观看者情绪，在更安静的共情观看，思考自己的当下。

　　2011年，导演斯迪格·比约克曼应褒曼女儿伊莎贝拉·罗西里尼邀请，筹拍这部“关于妈妈”的纪录片。片中收录了大量褒曼生前的私人录像、笔记、书信等从未公开的珍贵资料。

来自《杰弗里·爱泼斯坦:肮脏的富人》的制片人，这部电影超越了Ghislaine Maxwell案件的头条新闻，讲述了爱泼斯坦的神秘帮凶的故事，揭示了她的阶级和特权如何掩盖了她的掠夺本性。

　　此幕後花絮帶人一窺全球攝影團隊如何上山下海、走入冰天雪地，以拍攝出此紀錄片系列中令人耳目一新的夜間影像。

　　Dave talks about not actually growing up in the projects, the hate he received from the transgender community, and from fake news.