《回眸》记录三位末期病人冠玮、瑶华、育姗在离开人世前，如何面对死亡的每一刻。冠玮被告知生命剩下一个月，他苦恼来不及看着就读小学的双胞胎儿子佑佑和廷廷长大；瑶华希望在家安宁，但回到家后，家人之间的不和睦让她感到害怕；育姗长期在海外工作，生病返台治疗被判定为末期病人，因为女儿不在身边，育姗担心临走前见不到女儿最后一面……《回眸》细腻呈现三位末期病人各自对生命抱有不同的执着与情绪，用生命故事向大众展现他们对生的不舍、对死的恐惧与以及过程中灵性照顾给他们的勇气。
Capturing the experiences of Afghanistan women's under the Taliban since they took control of Kabul.
The Queen of Kalahari. A 52-minute fictional documentary that tells the incredible tale of a diamond - of its natural state in a mine in Botswana to the final piece of jewellery, revealed to the eyes of the world during an exceptional evening in Paris at the Théatre du Chatelet. The Queen of Kalahari is the story of a diamond with historic colour and dimensions... one of the di...
非处方药看起来触手可及，可以在药店和便利店随意买到，但这些包装靓丽、价格不菲的药真的有用吗？声称能缓解不同部位疼痛的止痛药、“多合一”疗效的感冒药、被很多人信赖的维生素药丸，对于这些药你又了解多少呢？该片的主持人克里斯身为一名医生，对这些非处方药持怀疑态度，他将用科学的方法带我们去探寻药箱里的秘密。在这里你会发现：在家自制的蜂蜜柠檬糖浆，比药店里的咳嗽糖浆靠谱得多；当缓解肌肉疼痛该冷敷热敷的观点争论不休时，泡个澡或许更有用……这里还有更多省钱又健康的秘密。
去年开始中国新实施环境审判制度，首次允许民间NGO提诉企业。环境诉讼方兴未艾，环保NGO纷纷状告污染企业，但因官商关系密切等原因，使得提诉举步维艰。本片跟踪采访环保NGO ，描写市民与大企业展开的激烈攻防. 本片由K大译制。
In an abandoned theater, French actress Marina Vlady recites from Borges' "The Immortal"... Japanese research scientist Shin Kubota sings praises to the "immortal jellyfish"... Milan Duomo workers subject the cathedral's exquisite statues to perpetual regeneration... Swiss musician/inventors Felix Rohner and Sabina Schärer persistently refine their percussion instrument, the Hang... Native American community leaders Leola One Feather and Moses Brings Plenty preserve the centuries-old spiritual resistance of their tribe... Filmmakers Massimo D'Anolfi and Martina Parenti pay tribute to humankind's aspirations for immortality by showing us a portrait of our efforts to overcome our own limits. They share their discoveries in a visual symphony to the power and harmony of nature's elements: water, earth, air and fire. From Milan to Wounded Knee, USA, from Bern to Shirahama, Japan, the traces of the filmmakers' travels spiral into a symbol of perfection and infinity: Spira Mirabilis.
In the radioactive Dead Zone surrounding Chernobyl’s Reactor No. 4, a defiant community of women scratches out an existence on some of the most toxic land on Earth. They share this hauntingly beautiful but lethal landscape with an assortment of interlopers—scientists, soldiers, and even ‘stalkers’—young thrill-seekers who sneak in to pursue post-apocalyptic video game-inspired fantasies. Why the film’s central characters, Hanna Zavorotyna, Maria Shovkuta, and Valentyna Ivanivna, chose to return after the disaster, defying the authorities and endangering their health, is a remarkable tale about the pull of home, the healing power of shaping one’s destiny and the subjective nature of risk.
