故事讲述来自得克萨斯州的1000个17岁男孩参加了从零开始的代议制政府的故事。
澳大利亚2号帆船队回顾让他们在1983年美洲杯取得历史性胜利的动力、付出和创新
拳赛之日展示了处在生涯巅峰的爱尔兰裔中量级拳手Walter Cartier与中量级鲍比詹姆斯对决的那一天(1950年4月17日)。这部电影以关于拳击历史的短暂旁白开场,然后拍摄Cartier(与他的兄弟Vincent)的一天,这时他正在为晚上10点的比赛做准备。他先在格林威治区西12街的公寓里吃了早餐,然后前去参加了早弥撒,并在他最喜爱的餐馆享用午餐。在下午4点,他开始准备比赛。晚上8点,他在新泽西州纽瓦克的劳雷尔花园的更衣室等待战斗开始。最后,我们看到拳赛的过程,Cartier在短时间内胜出。 12分钟版与16分钟版的区别是,后者有一段关于拳击历史的开场旁白(4分钟),由资深新闻播音员Douglas Edwards用一种严肃的,带着些许黑色幽默的语调念出。 Day Of The Fight" tells of a day in the life of a middleweight Irish boxer named Walter Cartier, particularly the day of his bout with black middleweight Bobby James. This 16-minute short opens with a short (about 4 minutes) study of boxing's history, narrated by veteran newscaster Douglas Edwards in a no-nonsense, noir tone of voice. After this, we follow Walter (and his twin brother Vincent) through his day as he prepares for his 10:00 P.M. bout. After eating breakfast, going to early mass and eating lunch, he starts arranging his things for the fight at 4:00 P.M. By 8:00, he is waiting in his dressing room, where he undergoes a mental transformation, turning into the fighting machine the crowd clamors for. At 10:00, he faces James, and soon, he comes out victorious in a short match which was filmed live on April 17th, 1950.
The rich and powerful have hidden billions of dollars in tax havens. They thought their financial secrets were safe, but now a huge leak of documents has revealed a world of secrecy, lies and crimes. Reporter Richard Bilton exposes tax dodgers, criminals and world leaders who have been hiding their money and their secrets offshore.
非处方药看起来触手可及,可以在药店和便利店随意买到,但这些包装靓丽、价格不菲的药真的有用吗?声称能缓解不同部位疼痛的止痛药、“多合一”疗效的感冒药、被很多人信赖的维生素药丸,对于这些药你又了解多少呢?该片的主持人克里斯身为一名医生,对这些非处方药持怀疑态度,他将用科学的方法带我们去探寻药箱里的秘密。在这里你会发现:在家自制的蜂蜜柠檬糖浆,比药店里的咳嗽糖浆靠谱得多;当缓解肌肉疼痛该冷敷热敷的观点争论不休时,泡个澡或许更有用……这里还有更多省钱又健康的秘密。
纪录法国最高电影学府La Femis长达六个月对考生的筛选,每年从数千人中选出40个人,以此窥探这所培养出无数著名法国导演的学府内部的秘密
从2009年至2011年,一支由德、美等国专业人员组成的电影摄制组,把镜头对准了中国河南少林寺故乡 登封县的“少林塔沟武术学校”,在拍摄“武校”2万多师生的大 型场面中,摄制组又把镜头聚焦在两个小女生身上,这就是我们将要看
长镜视角、沉静对比,先纵深后横亘,是本片的文法与力量所在。首先到塞尔维亚深入地底四百米的铜矿洞,跟着转至苏里南林深不知处的非法淘金热点,前者张开眼看见无底深黑,后者深谷中听见天地宁静,却也是无尽泛音。采矿人是不适应社会的人,身处人间空洞去表达存在感受,自有生命节奏和人生态度,本·拉塞尔更安排长短自定的自拍,捕捉无惧眼神及无言诗意。片名是世界通行英文祝福语,然而转成地道语开章收结,是真正自励的祝愿,是带讽喻的「翻译」,也是不厌其烦再点出全球化的剥削形势,愿君全收到。美国影评人协会最佳实验电影奖。
此幕後花絮帶人一窺全球攝影團隊如何上山下海、走入冰天雪地,以拍攝出此紀錄片系列中令人耳目一新的夜間影像。